This 11th-century mosaic, which shows the scene of Jesus’ crucifixion, comes from the Church of the Dormition in Daphne, Greece. Early Christians found parallels between the Adam and Eve story and Jesus and the Church. In the mosaic, blood and water flow from Jesus’ pierced side in the direction of his mother, Mary. Early Christians believed that just as Eve was birthed from the side of Adam, so the Church was birthed from the side of Jesus.

The creation of woman in the Bible has been the topic of much debate in Biblical Archaeology Review. In “Was Eve Made from Adam’s Rib—or His Baculum?” from the September/October 2015 issue, Ziony Zevit makes a shocking claim about the Adam and Eve story in the Bible.

The Biblical text says that Eve was created from Adam’s tsela‘. Although tsela‘ has traditionally been translated as “rib,” Zevit argues that it is better translated as Adam’s os baculum. This controversial conversation continues in Mary Joan Winn Leith’s article “Creating Woman,” published in the March/April 2016 issue of Biblical Archaeology Review.

In her article, Leith examines the creation of woman in the Bible. She looks at the etiological and euphemistic support for Zevit’s interpretation, and she considers how this would have fit into ancient views of biology. Then Leith focuses on an interesting part of the Adam and Eve story in the Bible: the “punishment poem” in Genesis 3:14–19.

This poem occurs after Adam and Eve have eaten the forbidden fruit. Because of their disobedience, God curses them. As Leith explains, this curse takes positive relationships, including childbirth, and turns them negative:

[T]he “punishment poem” in Genesis 3:14–19 reverses to negative effect all the positive relationships that prevailed before the humans disobeyed God. Humans and God, man and woman, humans and animals, humans and the earth now become alienated from each other where before all was harmonious. The most famous negative effect of the human disobedience is the woman’s pain in childbirth. At least theoretically then, before the punishment, childbirth in Eden should have been painless. If the father-as-child-bearer principle is hovering in the background of the creation of the woman, then the difficult childbirth promised to the woman in Genesis 3:16 reverses the painless “birth” in Genesis 2, where not only does a man—rather than a woman—give birth, but thanks to the anaesthetic “deep sleep” (tardemah), the man suffers no pain.

Thus, the creation of woman in the Bible from man—the first birth, according to Leith—is painless, but, as the “punishment poem” illustrates, all subsequent births are painful. Further, not only was the first birth painless, but it was a man—not a woman—who shockingly gives birth, setting it apart from all others.

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Leith then examines Christian symbolism related to the Adam and Eve story in the Bible. Early Christians believed that Eve was created from Adam’s rib or side, and they found parallels between Adam’s side and Jesus’ side that was pierced during his crucifixion. John 19:34 records, “Instead, one of the soldiers pierced his (Jesus’) side with a spear, and at once blood and water came out.” Early Christians believed that the blood represented the holy Eucharist, and the water represented baptism—two sacraments given by Jesus to the Church. Therefore, the Church was birthed from the side of Jesus, just as Eve was birthed from Adam’s side.

This interpretation is illustrated well in an 11th-century mosaic from the Church of the Dormition in Daphne, Greece. In this mosaic, blood and water flow from the pierced side of Jesus in the direction of his mother, Mary. Leith explains that Mary is often referred to as the “new Eve” and “considered to personify the Church.” The birth of the Church is visually depicted by the blood and water (sacraments) flowing toward Mary (the Church). Adam also makes an appearance in this scene. Jesus’ blood drips onto Adam’s skull at the foot of the cross. This symbolizes 1 Corinthians 15:21–22: “For since death came through a human being (Adam), the resurrection of the dead has also come through a human being (Christ); for as all die in Adam, so all will be made alive in Christ.”

To learn more about the creation of woman in the Bible, read the full article by Mary Joan Winn Leith—“Creating Woman”—in the March/April 2016 issue of Biblical Archaeology Review.

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This Bible History Daily feature was originally published on March 14, 2016.

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The Adam and Eve Story: Eve Came From Where?

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THE PRESENTATION IN THE TEMPLE. When Joseph (far left) and Mary (left of center) bring baby Jesus to the Jerusalem Temple, they are greeted by Simeon, who embraces the baby, and Anna, the New Testament’s only prophetess, shown at right with a scroll, in this 1342 tempera painting by Ambrogio Lorenzetti. Simeon instantly and independently recognizes Jesus as messiah. Anna begins to preach: “She came, and began to praise God and to speak about the child to all who were looking for the redemption of Jerusalem.” Both are quicker than Mary to comprehend who Jesus is. Uffizi Gallery/Public Domain

Being first to hear doesn’t always mean being first to understand. In Luke’s birth narrative, Mary is the first to be told that Jesus will be the messiah. Luke adds that she “treasures the words” the angel Gabriel speaks to her. But Mary is also puzzled by the divine message; she is “perplexed” when the angel greets her and must “ponder” the meaning of his words (Luke 1:29; see also 2:19). In this, Mary contrasts sharply with Simeon and Anna, two elderly individuals who happen to be in the Temple when Joseph and Mary bring the infant Jesus to Jerusalem for the first time.

According to Luke 2:22–24, “[Joseph and Mary] brought him up to Jerusalem to present him to the Lord (as it is written in the law of the Lord, ‘Every firstborn male shall be designated as holy to the Lord’ [quoting Exodus 13:2, 12]) and they offered a sacrifice according to what is stated in the law of the Lord, ‘a pair of turtledoves or two young pigeons’ [based on Leviticus 12:2–8].”

At the Temple, the family is approached by a man named Simeon, who has been told by the Holy Spirit that he will not die until he has seen the messiah. (The same Spirit told him to go to the Temple that day, too.) Simeon takes Jesus in his arms and praises God: “Master, now you are dismissing your servant in peace, according to your word; for my eyes have seen your salvation, which you have prepared in the presence of all peoples, a light for revelation to the Gentiles, and for glory to your people Israel” (Luke 2:28–32). Having seen the messiah, Simeon is now prepared to die.

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Anna then approaches the Holy Family. She, too, recognizes Jesus as messiah, but she has a very different reaction: “At that moment, she came and began to speak about the child to all who were looking for the redemption of Jerusalem” (Luke 2:38). She is 84 years old, according to Luke, and she does not want to die: She wants to proselytize. Like the disciples who will follow her, she is driven to bear witness to what she has seen. Mary was the first to have the good news announced to her, but Anna is the first woman to understand fully and proclaim the good news.

This is because in addition to being a proselytizer, Anna is a “prophetess” (Luke 2:36). In fact, she is the only woman in the New Testament explicitly described as a “prophetess.” She then stands in the line of figures like the judge, military leader and prophetess Deborah and the Jerusalem prophetess Huldah, who, in the days of King Josiah, was asked to verify that an ancient scroll (a form of Deuteronomy) discovered during Temple renovations was indeed the word of God (2 Kings 22).

Unlike Simeon, Anna is not just visiting the Temple for the day; she is there all the time. According to Luke, Anna “never left the Temple but worshiped there with fasting and prayer night and day” (Luke 2:37). Perhaps she was part of some sort of order of widows (Luke tells us her husband died after only seven years of marriage) who had specific religious functions in the Temple. She may have been able to undertake this role in the Temple because she was no longer in periodic states of ritual impurity caused by menstruation.

Learn more about Anna in Robin Gallaher Branch’s Bible History Daily article “Anna in the Bible.”

Mary startles when Gabriel and God the Father appear in her home and interrupt her prayers. In Lorenzo Lotto’s unusual rendition of the Annunciation, dated to 1535, Mary’s cat is equally frightened by the divine apparition. According to Luke, Mary treasures the angel’s message, but does not fully understand it. Only after years of “pondering the message in her heart” does she become a true follower of Jesus.” Museo Civico, Recanati, Italy/Scala/Art Resource, NY.

Luke may also have seen Anna as the second witness in or around the Temple needed to validate Jesus’ significance. Deuteronomy 19:15 stresses the importance of having two witnesses to validate an event.

The pairing of Simeon and Anna reflects Luke’s penchant for male-female parallelism when he writes about the recipients of divine blessing and salvation. The story of Jesus’ birth is framed by two such stories—that of Elizabeth and Zechariah in Luke 1 and Anna and Simeon in Luke 2. Interestingly, in both, the woman is portrayed as the more positive example of discipleship. The women are not only more receptive to the message, they are more willing to act upon it, with Elizabeth realizing that her cousin is carrying the messiah and praising God for this blessing and Anna spreading the good news.

Alfred Plummer, in his classic commentary on Luke, suggested that the difference between Anna and Simeon provides a clue to Luke as a salvation historian, a chronicler of the mighty acts of God for his people through the ages. Yes, a messiah has arrived, as Simeon recognizes, but, as the prophetess Anna suggests, a new era, with a new and living voice of prophecy, has at the same time dawned.¹ In this new era, the living voice of God will continue to speak about the messianic one. Anna is the first in a line of prophetic disciples who will speak about Jesus to all who were looking for the redemption of Israel.

Not everyone can be a prophet, however. Mary, for example, does not fully understand what Anna immediately recognizes. And she won’t for several years.

Twelve years after the presentation of Jesus in the Temple, the Holy Family returns to Jerusalem and Jesus returns to the Temple, this time by himself. Mary and Joseph search for him frantically for three days. When at last they find him listening to and asking questions of the teachers in the Temple, Mary asks, “Child, why have you treated us like this? Look, your father and I have been searching for you in great anxiety.” Jesus responds, “Did you not know that I must be in my Father’s house?” But, Luke reports, “they did not understand what he said to them … [but] his mother treasured all these things in her heart” (Luke 2:48–51). The late New Testament scholar Raymond Brown wrote: “Luke’s idea is that complete acceptance of the word of God, complete understanding of who Jesus is, and complete discipleship is not yet possible. This will come through the ministry of Jesus and particularly through the cross and resurrection.”

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Clearly, Luke is not painting an idealized portrait of Mary or Joseph. Rather, he paints a very human and realistic picture of Mary and Joseph as good parents, anxious, concerned, striving to be obedient and understanding, but not yet comprehending. Brown adds, however, that “Luke does not leave Mary on the negative note of misunderstanding. Rather in 2.51 [“his mother treasured all these things …”] he stresses her retention of what she has not yet understood and … her continuing search to understand.”²

Of course, in the end, Luke portrays Mary as successfully making the spiritual journey into the family of faith; in Acts 1:14, when the apostles gather in the upper room after the resurrection and ascension of Jesus, Mary is with them. But the story of Simeon and Anna suggests Mary had much to learn before she could enter into the Kingdom, and into the spiritual family of faith, which they already belonged to, and which is to be the primary family of Jesus in the eschatological age.

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Luke’s Christmas story is full of surprising reversals of fortunes and roles, in which outsiders become more intimate associates than family members, and in which women play a more active role then men. In this way Luke both prepares for and signals one of his major themes in the Gospel of Luke and in Acts—the least, the last and the lost are becoming the most, the first and the found with Jesus’ coming. Luke portrays the rise of a form of Judaism that would rely on the testimony of women as well as men, and that would empower them once again to fulfill roles like Miriam of old.

The first Christmas and the Christ child come at a particular point in time, but for many, like Mary and Joseph, the significance of the event is only understood incrementally and over the course of many years. But the prophetic insight into God’s intentions is a gift which keeps on giving and renewing the people of God. And at the outset of a long chain of such prophetic insights stand Simeon and Anna, one satisfied that prophecy has been fulfilled and the other pointing to the future, a future as bright as the promises of God.

“Mary, Simeon or Anna” by Ben Witherington III originally appeared in Bible Review, Winter 2005. The article was first republished in Bible History Daily on February 12, 2013.

Notes

1. See Alfred Plummer, Luke, International Critical Commentary (Edinburgh: T & T Clark, 1905), p. 71.
2. Raymond E. Brown and Karl P. Donfried, eds., Mary in the New Testament (Philadelphia: Fortress, 1978), pp. 161–162.

Ben Witherington III is Amos Professor of New Testament for Doctoral Studies at Asbury Theological Seminary and on the doctoral faculty at St. Andrews University in Scotland. A graduate of UNC, Chapel Hill, he went on to receive the M.Div. degree from Gordon-Conwell Theological Seminary and a Ph.D. from the University of Durham in England. He is now considered one of the top evangelical scholars in the world, and is an elected member of the prestigious SNTS, a society dedicated to New Testament studies. Dr. Witherington has presented seminars for churches, colleges and Biblical meetings in the U.S., England, Estonia, Russia, Europe, South Africa, Zimbabwe and Australia. He has written over thirty books, including The Jesus Quest and The Paul Quest, both of which were selected as top Biblical studies works by Christianity Today. In addition to his many interviews on radio networks across the country, Professor Witherington has been featured on the History Channel, NBC, ABC, CBS, CNN, The Discovery Channel, A&E, and the PAX Network.

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Herod’s Death, Jesus’ Birth and a Lunar Eclipse

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The Birth of Jesus

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Before Mary: The Ancestresses of Jesus

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In the 15th-century painting Healing of the Cripple and Raising of Tabith, Masolino da Panicale depicts the most famous scene of Tabitha in the Bible: the miraculous prayer of Peter that brings Tabitha back from the dead.

Luke, the writer of Luke-Acts, tells the story of Tabitha, a disciple brought back to life after prayer from the apostle Peter. After she is washed and laid out in an upper room, Peter takes her hand and commands her to get up (Acts 9:36-42).

In seven verses, Luke presents Tabitha as much loved, and the miracle of her return to life leads many to believe (v. 42). Luke’s terse account contains praise, humor, honor, sadness, joy and insights on the faith of the early church. Tabitha is so beloved and so essential to the life of her believing community in Joppa, a port city near the heart of modern Tel Aviv, that others cannot imagine life without her. Tabitha simply cannot stay dead. Her faithful community will not permit it!

Throughout Luke’s story, Tabitha remains silent. Luke speaks for her. In what could be considered a humorous touch, her only living actions are opening her eyes, seeing Peter, sitting up, being helped up by him, and being presented alive to the believers and widows (vv. 40-41).

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Luke Honors Tabitha in the Bible

By silencing her, Luke honors her. Others give her accolades and loudly mourn her death (v. 39). Perhaps the best and truest praise one receives comes extemporaneously from others. This certainly applies to the treatment of Tabitha in the Bible.

Luke introduces her with a double name: Tabitha and Dorcas (v. 36). The Aramaic and Greek mean gazelle. Perhaps the doubling shows her ministry to Jewish and Hellenistic believers, something noted earlier in Acts 6:1 and emphasized from chapter 10 on; if so, the placement of Tabitha’s story serves as a transition in the fulfillment of Jesus’ command to his disciples to “be my witnesses in Jerusalem, and in all Judea and Samaria, and to the ends of the earth” (Acts 1:8). Perhaps her name indicates a woman of energy, grace, beauty and quick movements.

Robin Gallaher Branch has written several other Bible History Daily-exclusive character studies. Read Judith: A Remarkable Heroine, Barnabas: An Encouraging Early Church Leader and Anna in the Bible.

Luke praises her as a disciple (mathetria) who was always doing good and helping the poor (Acts 9:36); her specific designation as disciple proves that Jesus had female disciples. In fact, there are three places where the words disciple or disciples include women: Acts 9:1-2, 36; 18:24-26b.

Luke indicates that Tabitha took God’s commands about society’s most vulnerable seriously. (“Do not oppress the widow or the fatherless, the alien or the poor.” Zechariah 7:10. See also Deuteronomy 24:17, 20-21; Ezekiel 22:7; James 1:27.) Looking after the marginalized is one of God’s characteristics, too, for God is shown in Psalm 146:8-9 as lifting up those bowed down, watching over the alien and sustaining the fatherless and widow.

Luke is generally quite selective with his praise, heightening the value of the accolades given to Tabitha in the Bible. In addition to Tabitha, Luke-Acts commends a few other notable characters. Consider these examples: Luke describes Zechariah and Elizabeth as upright in the sight of God (Luke 1:6), Joseph as a good and upright man from Arimathea (Luke 23:50-51) and Barnabas as a good man and full of the Holy Spirit and faith (Acts 11:24).

Acts 9 highlights Luke’s characteristic writing style with its balance of opposites. Luke pairs Tabitha’s story of dying and being brought back to life with that of Aeneas, who is healed by Peter after being bedridden for eight years (vv. 32-35). Neither Tabitha nor Aeneas seeks a miracle. While visiting Lydda, Peter sees Aeneas and says, “Aeneas, Jesus Christ heals you” (v. 34); concerning Tabitha’s death, the disciples of Joppa urge Peter to “please come at once!” (v. 38). Acts 9:1-31 tells of Saul’s conversion and verses 32-43 close and balance the chapter with stories about Peter; like Peter, Saul becomes a great apostle of the faith. Seen another way, Acts 9 contains a man’s miraculous conversion and a woman’s miraculous restoration to life.

For more than two thousand years, Jezebel has been saddled with a reputation as the bad girl of the Bible, the wickedest of women. But just how depraved was Jezebel, really? Read Janet Howe Gaines’s article How Bad Was Jezebel? for free in Bible History Daily.

Ministry Focus

Luke’s account of Tabitha focuses on her ministry (to use a modern term) to two groups: the poor and widows. In Biblical times, the designation widow meant a woman whose husband was dead and who had no means of financial support; therefore, she needed both protection and physical, legal and financial assistance.* In other words, a widow is a woman with constant needs, and being a widow was virtually synonymous with being poor. If enfeebled, who will glean for the widows and how will they eat? If they lose their houses in order to pay their debts, where will they live? (In Mark 12:40, Jesus condemns teachers of the law specifically for devouring widows’ houses.) If they lack shelter and regular sustenance, they likely will fall ill. Who then will care for them? As they age, who will listen to them?

In a parable about helping the needy, Jesus contrasts the life-saving actions of a Samaritan with the bypassing indifference of a priest and Levite (Luke 10:25-37). Unlike these members of the established priesthood who ignored the man beaten by bandits, Tabitha purposefully sought out the poor and widows and actively looked to see how she could help meet their needs. In the first century, when female activities generally centered on daily survival for themselves and their families, Tabitha engaged the needs of her community. Her lifestyle showed that love is an active verb intent on doing good for others.

Luke concentrates on one specific part of Tabitha’s ministry: making robes and clothing for the widows. Evidently she dressed these widows fashionably, for as she lies washed and prepared for burial, they tearfully display her work to Peter with obvious pride (v. 39). These women were her friends.

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Tabitha’s lifestyle contrasts admirably with the characterization of the good wife from Proverbs 31:10-31. Both display phenomenal energy. Both extend help willingly to the poor (Acts 9:36; Prov. 31:20). Both are proficient in needlework (Acts 9:39; Prov. 31:13, 19, 21,-22, 24, 25). Both seek to do good and undertake their activities within the context of faith (Acts 9:36; Prov. 31:12, 30). The lives of both women show they were “doers,” each putting feet to her faith.

Luke’s succinct description and the outpouring of grief at her death showed how greatly the believing community and widows loved Tabitha (v. 39)—a strong indication that Tabitha herself thoroughly enjoyed her work and loved these people in return.

Silences

As always when reading the Biblical text, consider its silences. What does Luke leave out? Tabitha may have been a widow herself, for Luke omits any mention of her husband or family. Additionally, Tabitha may have been independently wealthy, for the home where she is laid out awaiting burial is presumably her home and has an upper room (Acts 9:39). Evidently she offered her hospitality with flair, for the disciples and widows congregate around her. Perhaps Tabitha chose to use her wealth to aid the poor and the widows (v. 36).

Luke’s description of Tabitha makes it easy to imagine her home as welcoming, open and full of people. Luke indicates that Tabitha’s home functioned as a community center for believers. Tabitha may well have presided over a house church in her home. Quite likely her home became a drop off point for donations as she served as a reliable conduit for goods and services for believers and the wider Joppa citizenry. Tabitha is one of many New Testament women who, once converted to the new faith, set about building a community.

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Joppa’s Believing Community

In contrast to the long illness of Aeneas (v. 33), Luke presents Tabitha’s sickness and death as sudden (v. 37). Luke then shifts the narrative from Tabitha to Joppa’s believing community, which mirrors Tabitha’s lifestyle of action. It too puts feet to its faith.

Upon hearing of Tabitha’s death and Peter’s sojourn in Lydda (v. 32), members of the Joppa community immediately send two men to fetch him, hoping for a miracle.

Since Lydda was 25 miles northwest of Jerusalem and a day’s journey by foot from Joppa, it is possible that Tabitha was dead a total three days before her resuscitation. The messengers say, “Please come at once,” (me okneses); the use of the subjunctive indicates a formal request and carries a sense of respect. Peter drops everything and accompanies the messengers back to Joppa (vv. 38-39). He finds the widows grieving loudly in the upper room with the body (v. 39). Not only do the widows mourn Tabitha’s loss; they have valid concerns for their own lives, now that their protector is dead.

The widows’ mourning reciprocates the love Tabitha extended to them. Arguably she met more than their clothing needs. Her hospitality and generosity probably gave them food, sanctuary, a home, a warm heart and a listening ear. Modern research shows that talking not only is crucial to health but adds to longevity. Tabitha’s outreaching kindness undoubtedly saved lives.

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The Miracle of Tabitha in the Bible

Luke records the miracle simply. It seems to happen quickly. Peter clears the upper room, perhaps because he’s distracted by the widows’ noisy grief (v. 40)! Alone with the dead body, he gets down on his knees, prays, and turns to the dead woman. Speaking to her he says, “Tabitha, get up” (v. 40). And she does!

Peter calls in the believers and widows and gives her back to them, alive. One can imagine the plethora of emotions—joy, wonder, amazement, awe, thanksgiving and even doubt—as everybody crowds in the upper room to confirm for themselves that Tabitha really is healed and alive!

Luke concludes Tabitha’s story with more silences, muzzling both Tabitha and Peter. Peter says nothing about the miracle and Tabitha says nothing about what it’s like being dead. Instead, Luke sums up the reactions of all concerned by stating a fact—her return to life became known all over Joppa—and its result—that many people believed in the Lord because of it (v. 42).

Luke then carries on with Peter’s visit to the centurion Cornelius’ home in Caesarea (Acts 10) but remains silent about Tabitha’s life. However, Luke’s silence again compliments her, for it acknowledges the obvious. We already know her character. We know what happens. This remarkable woman simply carries on doing good for the poor and serving her friends, the widows, by making them stylish robes.

Robin Gallaher Branch is professor of Biblical studies at Victory University (formerly Crichton College) in Memphis, Tennessee, and Extraordinary Associate Professor in the Faculty of Theology at North-West University in Potchefstroom, South Africa. She received her Ph.D. in Hebrew Studies from the University of Texas in Austin in 2000. She was awarded a Fulbright Fellowship for the 2002–2003 academic year to the Faculty of Theology at North-West University. Her most recent book is Jereboam’s Wife: The Enduring Contributions of the Old Testament’s Least-Known Women (Hendrickson, 2009).

Notes

* In the Bible, widowhood often serves as a textual marker to alert savvy readers of moments of significance. For more, read Robin Gallaher Branch, “Biblical Views: Groveling Grannies or Teaching Tools” as it appeared in the January/February 2013 issue of Biblical Archaeology Review.

Bibliography

Darrell L Bock, Acts: Baker Exegetical Commentary on the New Testament. (Grand Rapids: Baker Academic, 2007).

John Calvin, John 12-21. Acts 1-13. (Peabody: Hendrickson Publishers, 1993).

Stephen B. Clark, Stephen, Man and Woman in Christ: An Examination of the Roles of Men and Women in Light of Scripture and the Social Sciences. . (Ann Arbor: Servant Books, 1980).

Chalmer E. Faw, Acts. (Scottdale: Herald Press, 1993).

Beverly Roberts Gaventa, Acts. (Nashville: Abingdon Press, 2003).

M. A. Getty-Sullivan, Women in the New Testament. (Collegeville: The Liturgical Press, 2001).

Susanne Heine, Women in Early Christianity: Are the Feminist Scholars Right? John Bowden, trans. (London: SCM Press, Ltd., 1987).

Josephus. The Works of Josephus Complete and Unabridged. Wiliam Whiston, trans. (Peabody: Hendrickson Publishers, 1987).

Craig S. Keener, Miracles: The Credibility of the New Testament Accounts. Volume 1. (Grand Rapids: Baker Books, 2011).

I. Howard Marshall, New Testament Theology: Many Witnesses, One Gospel. (Downers Grove: InterVarsity Press, 2004).

C. Myers, T. Crave, & R. S. Kraemer, eds. Women in Scripture: A Dictionary of Named and Unnamed Women in the HebrewBible, the Apocryphal/Deuterocanonical Books, and the New Testament. (Grand Rapids: William B. Eerdmans Publishing Company, 2000).

Kerry Patterson, Joseph Grenny, Ron McMillan, & Al Sitzler, Crucial Conversations: Tools for Talking When Stakes are High. (New York: McGraw-Hill, 2002).

Jaroslav Pelican, Acts. (Grand Rapids: Brazos Press, 2005).

Elisabeth Fiorenza, In Memory of Her: A Feminist Theological Reconstruction of Christian Origins. (New York: Crossroads, 1983).

“Widow.” Encyclopaedia Judaica Volume 16 UR-Z Supplementary Entries. (Jerusalem: Keter Publishing House, 1972). 16:487-496.

This Bible History Daily feature was originally published in May 2013.

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The post Tabitha in the Bible appeared first on Biblical Archaeology Society.

Was Mary Magdalene a prostitute? Photo: Private Collection/Bridgeman Art Library/Courtesy of IAP Fine Art.

Was Mary Magdalene a Prostitute?

Was Mary Magdalene a prostitute who repented or simply an influential female follower of Jesus? Mary from Magdala has popularly been saddled with an unfavorable reputation, but how did this notion come about? In From Saint to Sinner, Birger A. Pearson examines how Mary Magdalene’s notoriety emerged in the early Christian tradition. Pearson writes that later interpreters of the Gospels attempted to diminish her “by identifying her with other women mentioned in the Gospels, most notably the unnamed sinful woman who anoints Jesus’ feet with ointment and whose sins he forgives (Luke 7:36–50) and the unnamed woman taken in adultery (John 7:53–8:11).”

Read From Saint to Sinner by Birger A. Pearson as it originally appeared in Bible Review.

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Who was Jezebel? Image: Russell-Cotes Art Gallery and Museum, Bournemouth, UK/Bridgeman Art Library.

Who Was Jezebel? How Bad Was She?

Who was Jezebel? For over 2,000 years, Jezebel, Israel’s most accursed queen, has been condemned as a murderer, a temptress and an enemy of God. Who was Jezebel, really? Was she really that bad? In How Bad Was Jezebel? Janet Howe Gaines rereads the Biblical narrative from the vantage point of the Phoenician wife of King Ahab. As Gaines writes, “To attain a more positive assessment of Jezebel’s troubled reign and a deeper understanding of her role, we must evaluate the motives of the Biblical authors who condemn the queen.”

Read Janet Howe Gaines’s article How Bad Was Jezebel? as it originally appeared in Bible Review.

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Rahab the Harlot or just the inkeeper? Image: CCI/The Art Archive at Art Resource, NY.

Rahab the Harlot?

As described in the Book of Joshua, Rahab (a heroine nonetheless known as “Rahab the Harlot”) assisted two Israelite spies in escaping down the city wall of Jericho. Was Rahab a Biblical prostitute? While the Biblical text identifies her as a zônāh, a prostitute (Joshua 2:1), Josephus reports that she kept an inn. Anthony J. Frendo critically examines the textual evidence.

Read about Anthony J. Frendo’s conclusions on Rahab the Harlot.

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Who is Lilith? Courtesy of Richard Callner, Latham, NY.

Who Is Lilith?

Fertile mother, wilderness demon, sly seductress—the resilient character Lilith has been recast in many roles. Who is Lilith? As Janet Howe Gaines writes, “In most manifestations of her myth, Lilith represents chaos, seduction and ungodliness. Yet, in her every guise, Lilith has cast a spell on humankind.” Follow Lilith’s journey from Babylonian mythology, through the Bible, to medieval lore and modern literature in Lilith by Janet Howe Gaines.

Read Lilith by Janet Howe Gaines as the article originally appeared in Bible Review.

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Tabitha in the Bible

Deborah in the Bible

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What Does the Bible Say About Infertility?

5 Ways Women Participated in the Early Church

The post Scandalous Women in the Bible appeared first on Biblical Archaeology Society.

Pergamon’s strategic location along both land and sea trading routes contributed to its prosperity. Pilgrims from all over the Mediterranean region would flock to the city to engage in commerce or to visit the famous Ascelpion, a center of medical treatments.

Perched atop a windswept mountain along the Turkish coastline and gazing proudly—almost defiantly—over the azure Aegean Sea sit the ruins of ancient Pergamon. Although the majority of its superb intact monuments now sit in Berlin’s Pergamon Museum, enough remains of the acropolis for the visitor to sense the former greatness of the city that once rivaled Alexandria, Ephesus and Antioch in culture and commerce, and whose scientific advancements in the field of medicine resonate through the corridors of today’s medical treatment facilities.

Juxtaposed sharply against this image of enlightened learning is that of “Satan’s Throne,” as described by the prophet John of Patmos (Revelation 2:12–13), which some scholars interpret as referring to the Great Altar of Pergamon, one of the most magnificent surviving structures from the Greco-Roman world.¹

The modern visitor approaches the site from the steep and winding road that leads from the modern Turkish city of Bergama just a few miles away. Upon reaching the ruins, the commanding panoramic view from Pergamon’s 1,000-foot-high perch makes it easy to understand how this city once dominated the entire region.

It was a proud city in its time, and it had reason to be so. Its monuments and building were constructed of high-quality white marble in the finest Hellenistic style, and its library rivaled that of the famed library of Alexandria in Egypt. In the mid-second century A.D., it became known throughout the Mediterranean world as a center of ancient medicine, largely due to the presence of the eminent Roman physician Galen (c. 129–200 A.D.), who was born in ancient Pergamon.

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Pergamon rose to prominence during the years of the Greek empire’s division following the death of Alexander the Great in 323 B.C. His short-lived empire was partitioned among his generals, with General Lysimachus inheriting the then-settlement of Pergamon and its wealth. Due largely to its strategic position along land and sea trading routes and in part to the wealth of the Attalid kings who ruled the kingdom, the city enjoyed centuries of prosperity that continued when it passed peacefully to Rome’s control in 133 B.C. From that point on, Pergamon’s fate was inextricably linked to that of Rome, and it rose and fell in tandem with the great Roman Empire.

Pergamon’s strategic location along both land and sea trading routes contributed to its prosperity. Pilgrims from all over the Mediterranean region would flock to the city to engage in commerce or to visit the famous Ascelpion, a center of medical treatments. Biblical Archaeology Society.

The oldest and arguably most beautiful section of Pergamon is also its highest. The acropolis of Pergamon rises triumphantly over the ruins of the city that cascades down the steep slopes to the valley below. One of the most dramatic structures of the acropolis was what scholars believe to be the Temple of Zeus, the massive foundations of which are all that remain on the southern slope of the site. The altar believed to be associated with the temple, known today as the Great Altar of Pergamon, was moved to Berlin in the 19th century by German archaeologists, who evidently had an easy time getting permission for its removal from the indifferent authorities of the Ottoman empire.

Walking north from the Temple of Zeus and site of the Great Altar of Pergamon, one encounters the remains of the Temple of Athena, constructed at the end of the fourth century or beginning of the third century B.C., and dedicated to the city’s patron goddess. Just beyond that to the northwest is the magnificent structure that was the city’s famous library. While the estimated 200,000 documents of both papyrus and parchment may be rather high (Seneca estimates that approximately 40,000 volumes were catalogued in the larger library of Alexandria), it was certainly one of the largest collections of written material in the ancient world and was famous throughout the Mediterranean. It also housed one of the most extravagant wedding gifts of all time: Mark Antony is said to have presented Cleopatra with a sizable portion of the Pergamon library’s collection, in part to restore Alexandria’s own collection that went up in flames during Julius Caesar’s occupation of the city.

The Great Altar of Pergamon is considered to be one of the greatest surviving monuments from antiquity. Now located in the Pergamon Museum in Berlin, Germany, the altar is thought by many scholars to be the “throne of Satan,” referred to by the prophet John in the Book of Revelations. (Revelation 2:12–13) Honza78, CC BY-SA 4.0, via Wikimedia Commons.

The best-preserved ancient sacred structure on ancient Pergamon’s acropolis is the Temple of Trajan, built during the reign of Emperor Hadrian (117–138 A.D.) and dedicated to his deified predecessor. Towering imposingly over the surrounding structures and ruins, its commanding presence is a testament to the strength of the imperial cult.

Read “Who Is Satan?“ and “How the Serpent Became Satan“ in Bible History Daily.

The Temple of Trajan, or the Trajaneum. The towering structure attests to the strength of the imperial cult in the city. After Augustus became the first emperor of the Roman Empire, Pergamon was authorized to become the first imperial cult center in the east.

It is hard to imagine, gazing up at its enormous height, that this was actually one of the smaller sacred structures in the temple precinct of the acropolis. The sheer size and majesty of the building against the dramatic backdrop of the valley below and the ocean and sky beyond is truly awe-inspiring.

Every ancient Greek city worth its name boasted a theater. A place for both entertainment and civic gatherings, the theater was a focal point of public life in the Greco-Roman world. The architecture of the nearly intact theater of Pergamon not only attests to the city’s importance but also provides what is surely one of the most spectacular—and dizzying—settings of the ancient world. Cascading sharply down the precipitous slope of the acropolis toward the sea, the theater is one of the steepest of its kind. The 10,000 visitors would have had to carefully navigate the 80 rows of horizontal seating, lest they take a fatal tumble to the stage more than 120 vertical feet below. Like many ancient Greek theaters, the theater at Pergamon is an acoustic marvel: An actor (or tourist) speaking normally on the stage can be heard even at the top of the cavea (seating structure).

During the second century A.D., Pergamon’s fame as a center of healing and medical science eclipsed its reputation for anything else. Its most celebrated citizen during this period was the physician Galen, whose work and research was largely responsible for providing the foundation from which modern western medicine was to spring. The asclepion at ancient Pergamon was one of the most famous in the ancient world, and this ancient version of a medical spa attracted pilgrims from all over the Mediterranean region who came seeking the restorative powers of its thermal waters and medical treatments for various ailments and injuries.

Given the fact that the city represented the epitome of Hellenistic culture, traditions and religion in both its pursuits and its very architecture, it is perhaps not surprising that early Christians viewed it as a bastion of all that was anathematic to Christian beliefs. In the Book of Revelation, John conveys a message from the risen Christ to seven Christian congregations in Asia Minor, all of which are located in modern Turkey. Pergamon’s congregation was one of these, and Christ’s message to the faithful praises them for adhering to their faith while living in the place “where Satan dwells.” Antipas, a Christian bishop of Pergamon, was believed to have been martyred here at the end of the first century A.D., around the time when many scholars believe the Book of Revelation was composed. The execution of their bishop certainly would not have endeared the city to its Christian inhabitants, and the Biblical reference to the city is reflective of the general tension between Christian and pagan communities at the end of the first century A.D.

Overcoming vertigo, the author stands in the middle tier of the three-tiered theater of Pergamon, the steepest known theater from the Greco-Roman world.

As part of the Roman Empire, Pergamon’s decline mirrored that of the empire as a whole. Like the rest of the region, it eventually came under Byzantine and then Ottoman rule. By the late 19th century, excavations had begun at the ancient site, and today it draws people from all over the world. Climbing up to the peak of the acropolis, the modern visitor can easily sense the echo of Pergamon’s glorious past, which can still be heard among the beauty of its marble ruins today.

Notes

1. See Adela Yarbro Colins, “Satan’s Throne,” BAR, May/June 2006.

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Sarah Yeomans is an archaeologist specializing in the Imperial period of the Roman Empire with a particular emphasis on ancient science and religion. Currently pursuing her doctorate at the University of Southern California,  A native Californian, Sarah holds an M.A. in archaeology from the University of Sheffield, England, and a M.A. in art history from the University of Southern California. She has conducted archaeological fieldwork in Israel, Italy, Turkey, France, and England and has worked on several television and film productions, most recently as an interviewed expert on The Story of God with Morgan Freeman. She is a Provost Fellow at the University of Southern California and is the recipient of a Research Fellowship from the American Research Institute of Turkey (ARIT) as well as a Mayers Fellowship at the Huntington Library and Museum in Los Angeles. Her current research involves ancient Roman medical technology and cult, as well as the impact of epidemics on Roman society. She is generally happiest when covered in dirt, roaming archaeological sites somewhere in the Mediterranean region.

This Bible History Daily article was originally published on July 16, 2013.

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On this stela from El-Amarna, Egyptian King Akhenaten is seen with his wife Nefertiti and their daughters bearing offerings to the sun-disk Aten. Public domain, via Wikimedia Commons

Defying centuries of traditional worship of the Egyptian pantheon, Egyptian Pharaoh Akhenaten decreed during his reign in the mid-14th century B.C.E. that his subjects were to worship only one god: the sun-disk Aten. Akhenaten is sometimes called the world’s first monotheist. Did his monotheism later influence Moses—and the birth of Israelite monotheism?

In “Did Akhenaten’s Monotheism Influence Moses?” in the July/August 2015 issue of Biblical Archaeology Review, University of California, Santa Barbara, emeritus professor of anthropology Brian Fagan discusses this tantalizing question.

Egyptian King Akhenaten, meaning “Effective for Aten”—his name was originally Amenhotep IV, reigned from about 1352 to 1336 B.C.E. In the fifth year of his reign, he moved the royal residence from Thebes to a new site in Middle Egypt, Akhetaten (“the horizon of Aten,” present-day Tell el-Amarna), and there ordered lavish temples to be built for Aten. Akhenaten claimed to be the only one who had access to Aten, thus making an interceding priesthood unnecessary.

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In the BAR article “The Monotheism of the Heretic Pharaoh,” Donald B. Redford, who excavated Akhenaten’s earliest temple at Karnak (in modern Thebes), describes how Akhenaten instituted worship of Aten:

The cult of the Sun-Disk emerged from an iconoclastic “war” between the “Good God” (Akhenaten), and all the rest of the gods. The outcome of this “war” was the exaltation of the former and the annihilation of the latter. Akhenaten taxed and gradually closed the temples of the other gods; the images of their erstwhile occupants were occasionally destroyed. Cult, ritual and mythology were anathematized, literature edited to remove unwanted allusions. Names were changed to eliminate hateful divine elements; and cities where the old gods had been worshipped, were abandoned by court and government.

Akhenaten destroyed much, he created little. No mythology was devised for his new god. No symbolism was permitted in art or the cult, and the cult itself was reduced to the one simple act of offering upon the altar. Syncretism was no longer possible: Akhenaten’s god does not accept and absorb—he excludes and annihilates.

Did Egyptian Pharaoh Akhenaten’s adamant worship of one deity influence the Biblical Moses, leader of the Israelite Exodus? Was Akhenaten’s monotheism the progenitor of Israelite monotheism? According to BAR author Brian Fagan, we are talking about two different kinds of monothesisms:

“Israelite monotheism developed through centuries of discussion, declarations of faith and interactions with other societies and other beliefs,” Fagan writes. “In contrast, Akhenaten’s monotheism developed very largely at the behest of a single, absolute monarch presiding over an isolated land, where the pharaoh’s word was divine and secular law. It was an experiment that withered on the vine.”

The Biblical Archaeology Society FREE publication Aspects of Monotheism: How God Is One, edited by Hershel Shanks and Jack Meinhardt, presents an exciting, provocative and readily understandable discussion of the origins and evolution of monotheism within Judaism and Christianity. The book is free for BAS Library members.

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When Tutankhaten—the second son of Akhenaten; we know him as the famous King Tut—ascended to the throne, he, working with his advisers, restored worship of the traditional Egyptian pantheon and its chief god, Amun. Tutankhaten also changed his name to Tutankhamun, meaning “the living image of Amun.”

To learn more about the monotheism of Egyptian King Akhenaten, read the full article “Did Akhenaten’s Monotheism Influence Moses?” by Brian Fagan in the July/August 2015 issue of Biblical Archaeology Review.

Subscribers: Read the full article “Did Akhenaten’s Monotheism Influence Moses?” by Brian Fagan in the July/August 2015 issue of Biblical Archaeology Review.

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This Bible History Daily feature was originally published on June 8, 2015.

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At Carthage, child sacrifice is believed to have been practiced. Teeth and skeletal analysis of the remains at the Carthage Tophet demonstrates that infants of a specific age-range—under three months old—were most commonly cremated. Photo: ASOR, Punic Project/James Whitred.

The Bible speaks of Judahites who sacrificed their children to Molech in Jerusalem’s Ben Hinnom Valley; the practice was forbidden and considered abominable (Jeremiah 32:35; Leviticus 18:21; 2 Chronicles 28:3). While no evidence of child sacrifice has been uncovered in the Hinnom Valley, scholars today debate whether child sacrifice was practiced at Phoenician sites in the western Mediterranean. The debate is centered on the Carthage Tophet, or open-air enclosure containing the burials of infants, in modern-day Tunisia.

Was child sacrifice really practiced at ancient Carthage? In “Infants Sacrificed? The Tale Teeth Tell” in the July/August 2014 issue of Biblical Archaeology Review, Patricia Smith discusses the research she and her team conducted on the cremated remains from the Carthage Tophet.

Several sources attest to the practice of child sacrifice at Carthage. Lawrence E. Stager and Joseph A. Greene describe the evidence in the November/December 2000 issue of Archaeology Odyssey:

Classical authors and Biblical prophets charge the Phoenicians with the practice. Stelae associated with burial urns found at Carthage bear decorations alluding to sacrifice and inscriptions expressing vows to Phoenician deities. Urns buried beneath these stelae contain remains of children (and sometimes of animals) who were cremated as described in the sources or implied by the inscriptions.

Despite the evidence suggesting that the Carthaginians really did practice child sacrifice, some researchers have contended that such rituals did not occur at Carthage—or at any other Phoenician site. The Carthage Tophet, according to one study, was merely an infant cemetery.

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BAR author Patricia Smith and her research team studied the incinerated remains in 342 urns from the Carthage Tophet. The majority of the remains belonged to infants, though some contained young animals, mostly sheep and goats. An analysis of the teeth and skeletal remains from these urns revealed that most of the infants were one to two months old, a result that does not correspond to the expected pattern of mortality rates in antiquity. The findings demonstrate that a specific age range—under three months old—of infant death was over-represented at Carthage, suggesting that children under the age of three months did not die from natural causes but from something else. That something else, as the literary and epigraphic evidence indicate, is likely the practice of child sacrifice at Carthage.

To learn more about the scientific analysis conducted by Patricia Smith and her research team, read the full article “Infants Sacrificed? The Tale Teeth Tell” by Patricia Smith in the July/August 2014 issue of Biblical Archaeology Review.

Subscribers: Read “Infants Sacrificed? The Tale Teeth Tell” by Patricia Smith as it appeared in the July/August 2014 issue of Biblical Archaeology Review.

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This Bible History Daily article was originally published on July 25, 2014.

Related reading in Bible History Daily

Did the Carthaginians Really Practice Infant Sacrifice?

Did the Ancient Israelites Think Children Were People?

What Does the Bible Say About Children—and What Does Archaeology Say?

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Were living Children Sacrificed to the Gods? Yes

Were living Children Sacrificed to the Gods? No

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A salvaged page of the Codex Sinaiticus from St. Catherine’s Monastery recovered in 1975. Photo: Courtesy of St. Catherine’s Monastery.

Two hundred years after Constantine Tischendorf’s birth, questions remain as to the conditions of his removal of Codex Sinaiticus from St. Catherine’s Monastery. Dating to the mid-fourth century C.E., Codex Sinaiticus is the oldest complete manuscript of the New Testament.

In his article “Hero or Thief? Constantine Tischendorf Turns Two Hundred” in the September/October 2015 issue of Biblical Archaeology Review, Stanley E. Porter contends that Tischendorf should be considered a hero, not a thief.

The text of Codex Sinaiticus differs in numerous instances from that of the authorized version of the Bible in use during Tischendorf’s time. For example, the resurrection narrative at the end of Mark (16:9–20) is absent from the Codex Sinaiticus. So is the conclusion of the Lord’s Prayer: “For thine is the kingdom and the power and the glory forever. Amen” (Matthew 6:13). The woman caught in adultery from John 8 is omitted in Codex Sinaiticus.

According to James Bentley, Tischendorf was not troubled by the omission of the resurrection in Mark because he believed that Matthew was written first and that Mark’s gospel was an abridged version of Matthew’s gospel. If this were true, the absence of resurrection in Mark would not be a problem because it appears in the older Matthean gospel. Modern scholarship generally holds that Mark is in fact the oldest of the Synoptic Gospels, which could cause theological concerns over the omitted resurrection.

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One other omission in Codex Sinaiticus with theological implications is the reference to Jesus’ ascension in Luke 24:51. Additionally, Mark 1:1 in the original hand omits reference to Jesus as the Son of God.

Below, see a visual comparison of these and other differences between the King James Version and Codex Sinaiticus.

The Markan Resurrection
(Mark 16: 1–14)

The Lord’s Prayer
(Matthew 6:9–13)

The woman caught in adultery
(John 7:53–8:11)

Significant omitted verses

Alterations perhaps due to later theological beliefs

Constantine Tischendorf’s chance finding of Codex Sinaiticus, the oldest New Testament manuscript, at St. Catherine’s Monastery in the Sinai—and his later removal of the manuscript—made him both famous and infamous. Learn more by reading “Tischendorf on Trial for Removing Codex Sinaiticus, the Oldest New Testament.”

This Bible History Daily feature was originally published on August 12, 2015. Biblical quotations corrected on September 18, 2022.

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What’s Missing from Codex Sinaiticus, the Oldest New Testament?

Tischendorf on Trial for Removing Codex Sinaiticus, the Oldest New Testament

The Aleppo Codex Online

The Aleppo Codex

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Who Owns the Codex Sinaiticus?

Why Is Sinaiticus Significant?

A Grand Cooperative Project

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The post What’s Missing from Codex Sinaiticus, the Oldest New Testament? appeared first on Biblical Archaeology Society.

The presepio (nativity scene) is a centuries-old craft and one of Naples’s best-known traditions. This Neapolitan presepio was displayed in Rome. Photo: Howard Hudson / Wikimedia Commons.

One of the most familiar images of the Christmas season is the nativity scene—the well-known depiction of Jesus’ birth—displayed in an array of public and private settings, including churches, parks, store windows and on fireplace mantles.

The scene, first assembled by St. Francis of Assisi in 1223, is iconographic, meaning its various elements are intended primarily to depict theological—not historical, nor even literary—truths. It harmonizes two very distinct stories: Luke’s birth of Jesus in a stable, visited by shepherds, and attended by an angelic host and Matthew’s Magi, who are led by a star to the home of Jesus’ family sometime before Jesus’ second birthday.

To most people viewing the nativity scene, it depicts the birth of Jesus as it happened, with farm animals, shepherds, angels and Magi crowding the Bethlehem stable. But the combination is apocryphal, in the wide sense that the complete scene is not an accurate reflection of what the Biblical texts say about Jesus’ birth and in the narrow sense that such harmonization of Matthew and Luke is a common feature of noncanonical Christian infancy gospels.

Actually, these gospels not only combine the Biblical stories, they enhance them, with additional traditions about the birth of Jesus that circulated in antiquity. Of course most Christians throughout history were unaware of this distinction; before widespread literacy, Christians told the story of Jesus’ birth without awareness of which elements were based on Scripture and which were not.

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The Christian Apocrypha are rich with tales of the birth of Jesus. The earliest and most well-known of these are the stories found in the Protevangelium (or “Proto-Gospel”) of James. Composed in the late second century, this text combines the infancy narratives of Matthew and Luke with other traditions, including stories of the Virgin Mary’s own birth and upbringing. The Protevangelium was exceptionally popular—hundreds of manuscripts of the text exist today in a variety of languages, and it has profoundly influenced Christian liturgy and teachings about Mary.

The Protevangelium was transmitted in the West as part of the Gospel of Pseudo-Matthew, which added to it tales of the Holy Family’s sojourn in Egypt and, in some manuscripts, stories of Jesus’ childhood taken from the Infancy Gospel of Thomas. Other Pseudo-Matthew manuscripts incorporate a different telling of Jesus’ birth from an otherwise lost gospel that scholars call the Book about the Birth of the Savior.

In the East, the Protevangelium was translated into Syriac and expanded with a different set of stories set in Egypt to form the Life of the Blessed Virgin Mary, which was later translated into Arabic as the Arabic Infancy Gospel. Another Syriac reworking of the Protevangelium lies behind the Armenian Infancy Gospel. Christians in the East also expanded on Matthew’s Magi traditions creating the Revelation of the Magi, the Legend of Aphroditianus, and On the Star (erroneously attributed to Eusebius of Caesarea), each of which in their own way narrates how the Magi became aware that the star heralded the birth of a king.

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This small tripartite painting, The Nativity with the Prophets Isaiah and Ezekiel, is part of a massive altarpiece known as the Maestà. Composed of many individual paintings, the Maestà was commissioned by the Italian city of Siena in 1308 from the artist Duccio di Buoninsegna. It contains elements of the birth of Jesus from Christian Apocrypha, including the cave, the ox, the ass and the midwife. Photo: Courtesy National Gallery of Art, Washington.

If readers of these apocryphal texts could see the modern nativity scenes, they would be surprised to find the baby Jesus in a stable: In the infancy gospels, the birth takes place in a cave outside of Bethlehem, the same location given also by Justin Martyr (in his Dialogue with Trypho 78), who died around 165 C.E. They might have expected also to see a midwife in the scene; indeed, she does appear regularly in Eastern Orthodox depictions of the nativity, helping Mary bathe the newborn.

As the Protevangelium tells it, Joseph left Mary in the cave and went into Bethlehem to find a midwife. But as Joseph and the midwife approached the cave, they saw a bright cloud overshadowing it. The cloud then disappeared into the cave and a great light appeared, which withdrew and revealed the baby Jesus. Each of the later expansions of the Protevangelium narrate this scene in their own unique way, but they all endeavor to show that Jesus was not born in a natural manner, thus allowing Mary to remain physically a virgin after the birth.

So superhuman is Jesus that some texts report that he could be perceived in multiple forms. The Armenian Infancy Gospel, for example, reports that the Magi each saw him in a different way: as the Son of God on a throne, as the Son of Man surrounded by armies, and as a man tortured, dead and resurrected.

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The apocryphal accounts agree with Luke that the shepherds visited the Holy Family shortly after Jesus’ birth. In the Western texts, the family then moves from the cave to a stable and places the baby in a manger. There an ox and an ass bend their knees and worship him, fulfilling the prophecy of Isaiah 1:3, “The ox knows its owner, and the donkey its master’s crib” (see Pseudo-Matthew 14 and Birth of the Savior 86). Though an apocryphal embellishment, the animals became a common ingredient in subsequent depictions of the nativity and may be observable in nativity scenes today.

Tony Burke challenges the assertion that Christian apocrypha were truly rejected, suppressed and destroyed throughout Christian history. Read more >>

Most often, the cave remains the scene of subsequent events, including the circumcision (from Luke 2:21) and the visit of the Magi. The Magi are typically depicted in art and iconography as three richly-adorned Persian kings. However, Matthew calls them only “magi from the East” (Matthew 2:1) and does not say how many there were. The writers of the apocryphal texts did their best to clarify these matters. In the Revelation of the Magi, there are at least twelve Magi—the same number is given in other Syriac traditions—and they came to Bethlehem in April (not December) from a land in the Far East called “Shir,” perhaps meant to be understood as China. The Armenian Infancy Gospel says there were three kings, and they were accompanied by 12 commanders, each with an army of 1,000 men, which would make for a very crowded stable indeed.

Many of the texts continue the story of the Magi and tell what happened when they returned to their home country: In the Life of the Blessed Virgin (=Arabic Infancy Gospel) they bring back one of Jesus’ swaddling bands, which they worship because it has miraculous properties; in the Revelation of the Magi they share the vision-inducing food (some kind of magic mushrooms?) given to them by the star; and in the Legend of Aphroditianus they return with a painting of Jesus and his mother. None of these apocryphal Magi traditions are featured in nativity scenes today, but some of them influenced medieval art and literature.

Christians of all times and places have delighted in the story of Jesus’ birth, so much that they have yearned to learn more about the first Christmas than is found in the Biblical accounts. The Christmas nativity scene is the outcome of efforts by creative and pious writers to fill in blanks left by Matthew and Luke and to combine multiple traditions, Biblical and non-Biblical, into one enduring image. The nativity scene is a timeless representation of when God became man; it is also a testament to human imagination and the art of storytelling.

This Bible History Daily article was originally published on December 10, 2014.

Tony Burke is an associate professor in the Department of the Humanities at York University and the author of Secret Scriptures Revealed: A New Introduction to the Christian Apocrypha (London: SPCK, 2013). Burke’s research interests include the study of Christian biographical literature of the second century (infancy gospels), children and the family in Roman antiquity, curses and non-canonical Jewish and Christian writings. Follow his work at www.tonyburke.ca.

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Witnessing the Divine

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Who Was Jesus’ Biological Father?

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The TAU researchers analyzed multi-spectral images of 16 Hebrew inscriptions, which were written in ink on ostraca (broken pottery pieces), using a computer software program they developed. The ostraca, which date to 600 B.C.E., according to the researchers, were excavated from the Judahite fortress at Arad in southern Israel.

When was the Hebrew Bible written? Ostraca with Hebrew inscriptions excavated from the Iron Age fortress at Arad in Israel may provide clues, say researchers from Tel Aviv University. Photo: Michael Cordonsky, courtesy Tel Aviv University and the Israel Antiquities Authority.

The researchers say they were able to identify at least six different handwriting styles on the inscriptions, which contained instructions for the movement of troops and lists of food expenses. A TAU press release notes that “the tone and nature of the commands precluded the role of professional scribes.”

“The results indicate that in this remote fort, literacy had spread throughout the military hierarchy, down to the quartermaster and probably even below that rank,” state Faigenbaum-Golovina, Shausa and Sober in their paper.

“Now our job is to extrapolate from Arad to a broader area,” explained TAU Professor of Archaeology Israel Finkelstein, who heads the research project, in the TAU press release. “Adding what we know about Arad to other forts and administrative localities across ancient Judah, we can estimate that many people could read and write during the last phase of the First Temple period. We assume that in a kingdom of some 100,000 people, at least several hundred were literate.”

Israel Museum curators have called “Gabriel’s Revelation” the most important document found in the area since the discovery of the Dead Sea Scrolls. Read the original English publication of “Gabriel’s Revelation” along with Israel Knohl’s BAR article that made scholars around the world reconsider links between ancient Jewish and Christian messianism in the free eBook Gabriel’s Revelation.

So when was the Hebrew Bible written? What does literacy in the Iron Age have to do with it?

Scholars have debated whether the texts of the Hebrew Bible were written before 586 B.C.E.—when the Babylonians destroyed Jerusalem, razed the First Temple and exiled the Jews—or later on, in the Persian or Hellenistic period. If literacy in Iron Age Judah was more widespread than previously thought, does this suggest that Hebrew Bible texts could have been written before the Babylonian conquest?
The Tel Aviv University researchers think so, based on their study of the ostraca from Arad.

Not quite, says epigrapher Christopher Rollston, Associate Professor of Northwest Semitic languages and literatures at the George Washington University. In a lengthy blog post analyzing the TAU study, Rollston contends that there is not enough information from these ostraca to make estimates about the literacy of Iron Age Judah. Rollston points out that, according to a publication by Yohanan Aharoni, the original excavator at Arad, the 16 ostraca came from different strata dated across the seventh and early sixth centuries—and therefore do not all date to 600 B.C.E. Moreover, we cannot tell how many of these inscriptions were written at the Arad fortress and how many came from elsewhere.

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“Rather than arguing on the basis of 16 ostraca (that ended up at Arad) that we have a ‘proliferation of literacy,’” Rollston says, “I would simply conclude that we have some readers and writers of inscriptions at Arad. That’s all we can say.”

Rollston notes that he and others have argued, however, that there is enough epigraphic evidence from ancient Israel to conclude that “already by 800 B.C.E. there was sufficient intellectual infrastructure, that is, well-trained scribes, able to produce sophisticated historical and literary texts.”

“Additional detailed, sophisticated and substantive scholarly arguments for the early dating of the Torah have been made by William Schniedewind, author of How the Bible Became a Book, and Seth Sanders, in The Invention of Hebrew,” observes Candida Moss, Professor of New Testament and early Christianity at the University of Notre Dame, in The Daily Beast.

This Bible History Daily feature was originally published on April 15, 2016.

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The post When Was the Hebrew Bible Written? appeared first on Biblical Archaeology Society.